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Artworks
Installation view - Mapping a Cold War, 26 February - 5 June, 2016, Founders' Gallery at the Military Museum
Installation view - Mapping a Cold War, 26 February - 5 June, 2016, Founders' Gallery at the Military Museum
Installation view - Mapping a Cold War, 26 February - 5 June, 2016, Founders' Gallery at the Military Museum
Installation view - Mapping a Cold War, 26 February - 5 June, 2016, Founders' Gallery at the Military Museum
Resolute II (Northwest Passage) 74°40'N; 94°55'W, 2016. 50in x 72in, oil and graphite on canvas
Resolute I (Cornwallis Island) 74°44'N; 94°38'W, 2015. 32in x 50in, oil and graphite on canvas
Llewellyn V 59°05'N; 133°57'W, 2015. 32in x 50in, oil and graphite on canvas
Kaskawulsh IV (Disappointment River) 60°47'N; 138°14'W, 2015. 54in x 84in, oil and graphite on canvas
Kaskawulsh III 60°44'N; 138°04'W, 2014. 32in x 50in, oil and graphite on canvas
Kaskawulsh II 60°41'N; 137°53'W, 2014. 54in x 84in, oil and graphite on canvas
Llewellyn II 59°04'N; 134°05'W, 2014. 32in x 50in, oil and graphite on canvas
Kaskawulsh: Mosaic, 2016. 65in x 140in. 9in x 9in photographs, National Air Photo Library; 9in x 13.5in photographs, Leslie Reid
Kaskawulsh: Mosaic (det.), 2016. 65in x 140in. 9in x 9in photographs, National Air Photo Library; 9in x 13.5in photographs, Leslie Reid
Llewellyn: Mosaic, 2016. 75in x 135in. 9in x 9in photographs, National Air Photo Library; 9in x 13.5in photographs, Leslie Reid
Llewellyn: Mosaic (detail), 2016. 75in x 135in. 9in x 9in photographs, National Air Photo Library; 9in x 13.5in photographs, Leslie Reid
Resolute: Mosaic, 2016. 75in x 150in. 9in x 9in photographs, National Air Photo Library; 9in x 13.5in photographs, Leslie Reid
Resolute: Mosaic (detail), 2016. 75in x 150in. 9in x 9in photographs, National Air Photo Library; 9in x 13.5in photographs, Leslie Reid
Yellowknife: Mosaic, 2016. 65in x 124in. 9in x 9in photographs, National Air Photo Library; 9in x 13.5in photographs, Leslie Reid
Yellowknife: Mosaic (det.), 2016. 65in x 124in. 9in x 9in photographs, National Air Photo Library; 9in x 13.5in photographs, Leslie Reid
A two-minute exhibition tour from Leslie Reid on Vimeo.
Mapping a Cold War www.themilitarymuseums.ca/gallery-founders
Through historical photographs, contemporary photography, painting and video, Leslie Reid explores the complexities of the Canadian North and High Arctic revealing the entwined nature of defence, northern populations, and the environment. Mapping A Cold War examines several northern locations where difficult histories, military presence, sovereignty issues, scientific research, development pressures, and the magnified effects of climate change all play out in an extreme, unpredictable and fragile terrain. This exhibition is the result of Leslie Reid’s participation in the Canadian Forces Artist Program (CFAP). Through this residency, Reid travelled with the military throughout the North, following in the footsteps of her father who, as a young man with the Royal Canadian Air Force, flew photographic mapping missions in the early years of the Cold War. The first accurate maps of the North, produced as a result of the RCAF Photo Squadron’s aerial photographs, were used for both Cold War installations and economic development. The artist accessed these photographs at the National Air Photo Library in Ottawa and CFAP gave her the opportunity to take her own aerial photographs of many of the places visited by her father. Yukon and BC glaciers (Kaskawulsh, Llewellyn), Great Slave and Snap Lakes (Yellowknife) and the plateau and coast of Cornwallis Island (Resolute) can be seen in both Reid’s and the historical photos. From these experiences, Reid has created multifaceted works that are both exploration and palimpsest, uniting past and present. In considering the time span of sixty years between these two bodies of photo works and the paintings that unite them, the exhibition looks at several intertwined issues, past and present: displacement, refuge, survival, fragility and resilience, of places and peoples, and our relationship with the earth. The changing role of military activities in the North, especially with regard to arctic sovereignty, and the underlying push for commercial development are important undercurrents. But the environmental effects of global warming on the North are the most critical and urgent of all. Financial assistance from the Canada Council for the Arts, the Ontario Arts Council and the City of Ottawa is gratefully acknowledged.
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